AFTER CRYING - After Crying 6 (1997) (2024)

AFTER CRYING's 6 is a great album and a very strong follow-up to "De Profundis". Most of the music is written by Balazs Winkler and Peter Pejtsik and as you would expect is largely orchestral in nature with solo accents. Every one of their albums seems to be so carefully crafted as with "6" being no exception. This concept like album is made up of 5 parts with 2 being quite epic in nature and all drawing on the strength of each other. The music on this album is definitely ever moving and will keep your interest time and time again. The album is very well recorded with some incredible orchestral moments juxtaposed over deep cello, flute, guitar, bass, drums, synths and trumpets to name a few. One track grabs a snippet direct from KING CRIMSON 's "THRAK" album making a musical reference to "Dinosaur". The first epic piece, "Panem et Circenses," is a 29-minute, 6-track suite. It draws for inspiration on KING CRIMSON's "Cirkus" (LIZARD) , "THRAK" and ELP's "Karn Evil 9" "(Brain Salad Surgery")... IMHO this is arguably their most powerful track they have recorded. The second epic "Farewell to 20th Century" is a 27 minute suite with some incredible musical variations and progressive leanings. The album concludes with the almost 11 minute "Tribute to Keith Emerson". Lyrics on this album are sung mostly in English and done so with great effort and not sounding overly "Out of native tongue'ish". This is closest to classic CAMEL but it is still AFTER CRYING. Fans of symphonic progressive will love their mix of classical music and full-blown rock arrangements.

The most genial and versatile album, except on a few discontinuous parts and, for this reason only, the score is "4 stars". Moreover the accented English of the vocalist sometimes disturbs us, even though actually this album is worth something more ("4 stars and an half" at least) for its creativity: the first track is characterized by a mood in the vein of Stravinsky at the beginning, then becoming more Frank ZAPPA-like, thanks to a sort of 70's detective movie soundtrack and even a medieval mood in the 2nd track ... instead the conclusion is a perfect tribute to EMERSON LAKE & PALMER, "Pirates"-like, afterwards becoming more personal as well as powerful at the end. This is a controversial but to me recommended album...!

Here is some very powerful prog indeed and my own personal favourite by AFTER CRYING. As on their previous albums, the music on "6" contains hints of jazz with some classical twists. You'll also hear some heavy-duty drum-based numbers, light pastoral piano waltzes, ominous vocal passages with haunting horns in the background, brassy wails that sear through the night, speed-driven organ notes that sound like KEITH EMERSON on fire, and many more undescribable lunacies. The last track, the 11-minute "Tribute to Keith Emerson", is almost like a mini rock opera. It features many themes and tempo changes and ends with soaring brass, in a colourful "fanfare" of sounds you won't soon forget. As for the few but rather heavily accented Hungarian vocals, they are either distracting or charmingly exotic, depending on your inclination.

The musicianship displayed on this album is exceptional, the compositions nothing less than genial and the production impeccable. Despite their eccentricity, the themes are all melodious and extremely addictive. This is the type of album you never tire of hearing over and over again.

This Hungary-based symphonic prog group presents the album "After Crying 6" withexcellent songwriting, tight composition, and powerful musicianship. The openingtrack "Save Our Souls" (SOS) sounds to me like an overture of a cinema with musicdelivered in orchestra format. From the opening only I can sense how the music ofthe band would look like. The music of this opening track is written by WinklerBalasz who also plays trumpet, keyboards, percussion and programming.

Next is an epic that comprises 7 tracks starting with "Fun Fair Land Open" whichbasically an upbeat track with full orchestration including brass section and powervocal line. The accompanying music sometimes reminds me to ELP. Keyboard playsobvious role as well as brass section. Next track "Providence" starts with stringcomposition followed with melodic female vocal reminiscent of Renaissance. It's sorewarding opening as it comprises excellent combination of instruments thataccompany the vocal.

What follows is a complex piece of music "Salto Mortale II' which blends ELP and KingCrimson augmented with guitar riffs. The upbeat music accompanies vocal whosings in high register notes. At approx minutes 3 the music turns into a musicalbreak interlude with nice beats. At approx minute 4 I can sense the similarity withKing Crimson's song followed with pulsating keyboard /synthesizer solo. It's reallyan excellent track with rich textures of instruments that are played together -making the music is packed with multi sounds.

"Sleepin' Chaplin" is basically a nice bridge that brings the album into stringmusic "Madrigal Love Part Four (Cassanova)" which features vocal. Track 7returns back to the kind of soundtrack music with powerful orchestration. Myfavorite track, as I made comments on my previous review of the band's "StruggleFor Life" live set album called "Viaduct" is by design is an excellent song withstrong theme. It's suitable to start the show especially with its combination ofgreat trumpet solo, dynamic drums and symphonic keyboards. Great track. The lasttrack is dedicated to the band's idol from ELP: Keith Emerson. The compositionitself similar with ELP's.

Overall, all songs featured here are relatively complex arrangements with greatcombination of brass section and orchestra. If you love symphonic prog withclassical music influence and heavy orchestration, this album suits your taste.Keep on proggin' ..!Peace on earth and mercy mild - GW

The 5th studio album of After Crying is named "6", but they include the live debut in thecount.

As many bands and albums from eastern Europe this is highly influenced by ELP. Thisappears evident by reading the name of the closing track that's "A Tribute To KeithEmerson", but from a musical point of view the link with ELP is more in Tamás Görgény'svocals as he sings very similar to Greg Lake and in the orchestral arrangements that aswell as ELP are influenced in some way by Aaron Copland.

Also the piano ragtime interlude in "Salto Mortale" is closer to Gershwin than to Emerson'sexcursions in the genre.

What is typical of After Crying is in the use of trumpet and brasses in general. The distinctivesound of this band can be fully appreciated in "Sleepin' Chaplin".

The album's structure is unusual: there are five "master tracks" composed of 1 to 6 parts,but we are not speaking of suites logically divided into parts. Each part is a separate trackand can live on its own like the movements of a symphony. And this means that labellingthis band as Symponic Prog is more than appropriate.

There are also many reminds to the previous albums and self-citations both in somemusical parts and in the track titles, giving the impression that the band was planning toquit. "Farewell to 20th Century" maight have been a farewell to After Crying, even if 7 yearsafter this release another album appeared.

The whole album is excellent, but the highlight is the mentioned "Farewell" that's also themost symphonic and orchestral "master track". A good summary of the After Crying's careerwith the orchestral parts sounding similar to ELP in Works.This is probably the darkest part, specially in the first movement, but a bit of darkness in asymphony is fine.

Last, the tribute to Keith Emerson is a song dedicated to the keyboardist mainly based onpiano and orchestra which partially reminds to Piano Concerto N.1 but only because it'sorchestral. It could remind to a lot of classical music and last but not least to the usualAaron Copland.

Another excellent addition from this highly skilled Hungarian band

Now, the first thing that comes to mind when you listen to 6 (1997) by Hungarian band AfterCrying is.... what the hell is this?

Where is the band that recorded masterpieces such as Overground Music (1990) andMegalázottak és Megszomorítottak (1992)?

I admit I lost a bit the band's train and didn't really pay attention on Föld és ég (1994) or DeProfundis (1996), but if it wasn't for the name 'After Crying' on the cover of the album I woulsswear that this is a completely different band!

Maybe I just got the transition album, because after that their releases became quite sparse,but truth is... this is a bad album! Everytime the band goes electronic (with guitars, drums andespecially keyboards) they do deadly wrong!All the beautiful and different sound they had before was thrown away and maded 'modern'.And that's why, at least for me, this album will never work.

Now I'm a bit reticent to even check their previous albums, which is not a good thing. I woldavoid if you don't know the band and start with the first albums.